Day 139 of Project 365: Arepa plus.

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FunkyPlaid and I feasted on arepas plus a whole passel of other great food at Teote tonight. Oddly enough, the taste of arepas always transports me not to Nicaragua or Colombia but to Scotland. My friend Juliana would make them for us for lunch after we tromped through the woods of East Lothian with her two mini dachshunds. I’m missing that right now.

Writing from: my study in Portland. Listening to: “Catedral” by Francisca Valenzuela.

Day 21 of Project 365: Dark Tower.


Pictured is not Dark Tower, the awesome electronic board game I loved as a child, but rather The Black Tower, the delicious dessert at local Thai place Passorn.

But now that Dark Tower was mentioned at dinner, I cannot get it out of my head.

Nostalgia is dangerous. It can seduce us with claims of an unblemished past, suggesting that a portal to this past is within our grasp. But I know – as we discussed over dinner – that the experience of playing Dark Tower now is not the same as the memory of playing it thirty-five years ago. Still, I enjoyed peeping into the portal with this commercial.

I wonder which memories of my time in Scotland will trigger that nostalgic impulse. There will be plenty lurking about my subconscious, I’m sure. Certainly one of them has to be skirting the Links, chatting away with Gav about a story I’m struggling to write.

Writing from: a chilly kitchen, now that the lounge is devoid of furniture. Listening to: that clock that never keeps the right time, still ticking away.

A line, a wrinkle, a sigh, a sign.

FunkyPlaid at Barcelona Cathedral You genuflected outside the gothic cathedral the day after I got officially old. My nose was running and cold and I turned from the great grey edifice to see the only familiar face for miles. On that face, the expression I tried to capture: irreverent yet strangely penitent, maybe just tired from walking or overwhelmed by unfamiliar vowels or musing how new it feels to feel this old.

Day 49 of Project 365: wedding purse

Post-shower dresser scrambling prompted the rediscovery of this amazing creation, my wedding purse.

49.365: wedding purse

My mom made this by hand, which still stuns me. I was fortunate to inherit a little of her capability in this realm, but nothing to this degree.

While visiting Gargunnock House with friends over Christmas, I got into a little chat with some fellow crafters, and in it I described one of the earliest Mom-projects I can remember. She sewed these adorable Christmas ornaments that were puffy stars and bells and trees with little sculpted faces in the middle of them. My description doesn't do it justice, and I don't have any of our ornaments here so I can't take a photo.

It made me happy and proud and also intensely nostalgic for home at Christmas all at once.

Christmas was difficult on a few levels, some of them obvious -- our first away from the people and places with whom we have grown accustomed to spending the holiday -- and some of them not. One of the less obvious difficulties that I am still trying to address is feeling like I am a terrible conversationalist. I mentioned the chat earlier as if it was some effortless thing, and it definitely became easier as it went along, but to start I second-guessed everything I said. Everything. And there were cultural references I simply do not have yet, which required explanations. I am so used to being the explainer and not the explainee.

I swallow my pride and elbow my stubbornness in the ribs on a daily basis.

It will get easier, and to make it easier I have to forgive myself a little awkwardness while being less comfortable in my new home. Someday I will be nostalgic for this, too, I remind myself. This is one of the most beautiful aspects of memory: it forgives, if you let it.

It was not the quesadilla.

It was not the quesadilla, the sloppy concoction of flat and goo. No, she decided, it was most certainly not the quesadilla itself, but the idea of the quesadilla, the meta-dilla that offended her. Even now, even hours after lunch, six washings with perfumed soap, six applications of scented lotion, and in between all that an hour at the firing range. Lavender? No. Gunpowder? No. Only the crass grease and onion stink.

Lovers, too, were like this. Long after they should have gone, they persisted with deserted panties, apostrophes of basin-beached hair. Now email and its hungrier cousins encroached on every absence. The heart grew annoyed, not fonder. She longed for the gentleness of memory in all of this rotting truth.

[caption id=“attachment_5297” align=“aligncenter” width=“461”]Rossy de Palma Rossy de Palma in “Double Zero” - © 2004 Warner Bros.[/caption]

Always with me.

At dinner tonight, we got to talking. We talked about so many things, but one I wanted to write about before it slipped through the old brain-sieve. I am listening right now to a song that makes me think of someone I have not seen in years, someone I loved desperately with my then-heart. If I saw him again, I likely would have a flash of feeling, that electric eel around the collar one, remembering what it was like. Then I would have that certain relief of not having to love him anymore, of not having to succumb to muscle memory. The love is under glass in a museum I no longer visit. Sometimes I walk past the museum, and I can hear this song playing inside.

sage and ginger

One crow sits on the porch and his caw seems timed, a perfect heartbeat. I am putting moisturizer on my face, stuff I bought because it was additive-free and on sale, stuff I would not buy normally even if I could afford it, which I can’t. I am thinking of what I am not thinking of.

I don’t often get caught in this loop, just sometimes when I am tracing an old pattern. The crow’s caws trick my brain into silence. Thoughts settle like sediment and then I think: what am I not thinking of?

For once, I am not thinking of guilt over my morning routine, of how long it takes or how loud each movement might be.

The house smells like last night’s sage and ginger. One cat’s meow forces syncopation. Then the crow leaves, and it is just bare feet on wood floor, fur against shin, the rustling of a comforter. Time ticks again, and tugs with it a long rope of schedules and increments. That moment of no-moment was enough.

slate and stove

Today’s blockbuster prompt is from Davmoo: “Please write 100 words on …your favorite childhood memory.”

The wood stove in our living room was surrounded by pieces of slate. Old radiators kept the corners of the other rooms warm, but the wood stove, the old general, boomed forth waves of heat well into winter nights. Cats curled up to it as close as they dared. My parents each tended the fire in such an unassuming way while working on their other projects, another grownup ability that I found quietly glamorous. During nights spent around the stove, I would write and draw on the slate pieces with chalk while the three of us listened to albums of classical music. To this day, whenever I hear Satie’s Gymnopédies, I feel safe.

[Want to help me bust through my writer’s block this month? Read about this exercise!]


I spotted a vintage Pelikan 100 in the wild – the reference desk, really – on Monday. It was burgundy with a bright gold “beak” clip and its owner let me write with it. It was filled with Private Reserve Chocolat, an excellent choice for this smooth writer. I let the patron write with my Lamy 2000, which is the new hotness of my collection and the Pelikan’s opposite in form and character; while the Pelikan reminded me of an antique Bentley, my Lamy is more of an Audi TT.

It was a random treat in the middle of a dull day.

Now I am flipping through Fountain Pens Past and Present and it smells just like my high school yearbooks used to smell. That combined with the smell of freshly-baking bread is making me homesick for Chicago, but only the Chicago of my teenaged self, all Wax Trax and Café Voltaire and living for that first burst of Friday afternoon air, half-past three and everything is possible as long as someone borrows a car.

photos I did not take

Last night the moon slipped slate-blue behind silver clouds, and although I could see it from the overstuffed leather recliner I did not fumble for a camera. I watched it, and it looked full, though my astigmatism makes me a poor judge of such things.

Past midnight, sometime over the weekend, we were sitting with snacks, twin bowls of cereal, savoring the wee hours with no early alarm the next morning. Just outside our bedroom, my cat walked past his cat very, very slowly, and then carefully put her paw out to touch the very tip of his cat’s tail. We lost it; my mouth happened to be full of cereal.  I wanted to take a photo of the moment I started thinking of my cat and his cat as our cats, but instead I cleaned the cereal off my face.

Someone in the library today learned how to scan a photograph and email it to himself so he could upload it to the Web.  As he thanked me for the third time, I wished for a meta-photo moment, something I could carry with me to remind me that although the objects of learning may be different, intellectual curiosity still exists. Where it exists, hope creeps in around the edges.


It is gray inside the building today, which reminds me of December, which in turn reminds me of last December and my last job. Our big project was just about to launch. The launch had been pushed back, and the new launch date conflicted with my holiday vacation.  The team changed the launch date again so I could be present.

I felt very lucky to be so cherished.  I also felt overwhelmed and disenchanted and other things.

To think that I have not once visited a website I used to visit hundreds of times a week.

In the moment, we tend to think that our little importances, good or bad, will extend forward indefinitely. But the moment after this one, and this one, and this one, always proves that wrong.

I miss certain aspects of every remembered moment of my life, be it perspective, innocence, determination, or merely the me-ness in that moment that no longer exists, no longer can exist, the air in a bubble popped.

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I acknowledge that I live and work on stolen Cowlitz, Clackamas, Atfalati, and Kalapuya land.
I give respect and reverence to those who came before me.